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posted on August 1, 2017
is often, as a teacher, I will ask my students to pick up and write a piece of paper.
I will normally give you a word or prompt at the beginning, but then I will encourage you to easily write, pen or pencil on paper without worrying about the grammar or punctuation or sentence structure, or even make sense .
It's called freewriting, and it's one of the most powerful tools to think and create.
FreeWriting has a long history in the world of writing and art. In the nineteenth century, spiritualists and the media claimed to use automatic lettering to establish itself with invisible entities, ghosts and other beings. Some authors, such as Irish poets and the playwright, William Butler Yeats, were influenced by this practice to take them both in their work and in their daily lives.
In the twentieth century, the automatic writing fell as a kind of contacting spirits from cultural and scientific benefits, but writers such as Dorothea Brande and Jack Kerouac have revived the practice - the re-inspection of it as a possibility to establish itself with the unconscious. In her to a writer (1934), it argues that he has taken thirty minutes every day to go to the stand of Wide-Eyed Interest, which was transported back at the age of five years. "And in his" essential spontaneous prose "(1958) Kerouac issues guidelines - even freely away - to write what comes in the head. As he beats, the writers should make such practice companies that are not conscious" in half-stock " want to write. "
A series of writers in recent decades has described the power of acquittal. Peter Elbow, in his writing without teachers (1975), describes, for example, the usefulness of the acquittal in the classroom to argue that the point of practice "to write and not stop to stop something. Go fast without rushing , Never stop looking back to take out something to ask yourself how she can spell something to venture, what the word or thought to use, or think about what they do what they do. "
Natalie Goldberg, in her writing down the bones: the author within (1986) has brought the practice of acquittal even further into the mainstream. Your first "rule" of friction is to "move your hand", and she says that the continuous movement is the success of the practice. Do not go back and do not work, she says. Do not worry about grammar and punctuation. And perhaps above all "lose the control". Goldberg argues that the freewriting is a way to be in contact with the first thoughts, with the "first thoughts" in contact with what she says, "have enormous energy. It is like the mind first flashing on something. The internal censor usually beats you, so we live in the area of ??the second and third thoughts, thoughts, thought twice and three times away from the direct connection of the first fresh lightning. "Finally, Julia Cameron, in the nature of the artist: a spiritual path to a higher creativity (1992), involves the practice in writing what she calls "morning pages", which, as she says, "three pages of Longland writing, strictly minded consciousness. "In the end, she argues, morning pages - with freewriting in its core - the basis for the development and improvement of ongoing creative practice.
I love freewriting, and in addition to use in the classroom, I'm alone every day. I find that it allows a flow of ideas and thoughts, especially since it is not hindered by the expectation of perfection. As often as authors and thinkers, we believe that the first thing we say are perfect and well educated. Unfortunately, creativity simply does not work. Creativity needs space and time to create unexpected connections and to see the world.
There's always time later to take you back to what we have created during a freerwriting session, and shape it into something meaningful, useful or marketable, but true creativity requires a free idea of ??ideas.FreeWriting does not have access to thoughts and feelings. There is permission to jump in the river and see where we need.
We do not have enough of the chance in our culture to do this kind of things. We are expected to produce, but we are not often given the creative space we need to produce - and this room is crucial. It is necessary. Here we play and experiment, where we produce connections and make thoughts.
Creativity, short, guarded, happens in the open, Liminal room, where we do not believe that we work. And freerwriting is one of the best ways in this magical room.
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